The Editors of The Watch Observer, a French watch review site, watches trialled and tested our AM1 40 MM Black Auto
and came out with some great things about the product - “full of neat details that demonstrate is still possible to find beautiful
pieces featuring a Swiss Made real appeal and offered at competitive rates.”
See the review here in French or read below for English:
http://www.thewatchobserver.fr/-montres-de-luxe-et-de-prestige-guide-d-achat-essai-revue-comparatif-photos-prix-du-neuf-/-March-LA-B-AM1-40-mm-Black-Automatic-.html
More hype over our collaboration with Parisian retailer Colette, the “1805 Imperial Phantom”- this
time from the Hypebeast themselves.
Our 2012 Men’s and Women’s Collection video shorts are soon to release later this week.
Be sure to keep watching our facebook page for the official launch.
See stills below for a quick teaser…
Shot by Dimitri Coste.
Starring Gunner Wright and Laine Jennings.
Intersection Magazine’s online supplement features our just-released “1805 Imperial Phantom”,
a collaboration with distinguished Parisian boutique, Colette. Offered with a desk stand and two choices
of chain clasps, this horological beauty establishes an iconic demeanor fit for modern times.
Priced at €1,290 EUR (approximately $1,685 USD). Available only through Colette.
Metallic pastels were aplenty on this spring season’s runways- from Chanel and Louis Vuitton to Theyskens
Theory and Givenchy. The dreamy, confection-like color pallet would have left our heads stuck in the clouds
if it weren’t for the heavy metal edge weighting our feet firmly to the ground.
PRADA
GILES DEACON
DRIES VAN NOTEN
CHRISTIAN DIOR
ALEXIS BITTAR
THEYSKENS THEORY
ALEXANDER WANG
MARCHESA
CHANEL
MARCH LA.B
One of our favorite blogs about men’s wear, Anchor Division, selects some of their favorite shots from our
2012 Look Book and posts them on the site.
See more from the gallery here: http://www.march-lab.com/gallery
The devil-may-care, pop color has been an automotive fetish since the birth of muscle car culture.
During the mid-1960’s when American car companies were each creating their own versions of the
new four-wheeled breed of hero, they all took notice to paint the streets red.
1964 PONTIAC GTO
1965 MERCURY CYCLONE
1966 FORD MUSTANG
1967 MERCURY COUGAR ELIMINATOR 428
1968 DODGE DART GTS
1969 MERCURY MARAUDERX-100
1970 CHEVORLET CHEVELLE SS
1971 PLYMOTH ROADRUNNER
California Design from 1930-1965 represents the good life in America post-depression and post-wartime.
The state became America’s most important center for progressive architecture and furnishings.
The exhibit tells the story of California’s ideal environment for this flourishing modernism.
California design “is not a superimposed style but an answer to present conditions…it has developed out
of our own preference for living in a modern way.” - Greta Magnusson Grossman (designer)
